…spoilers await below…
Slowly, but surely, I am beginning to tolerate select horror flicks — thus far, I’ve been able to withstand the shocks of Sleepy Hollow (1998), The Conjuring and The Conjuring 2, but when I see a horror movie, it has to be more than blood and gore. What I look for are relatable characters and a solid story. The aforementioned three had all that, and so does 2017’s feature film remake of It, the Stephen King story that terrorized a generation.
This iteration moves the year to the 1980’s, remaining in Derry, a New England hamlet, where horror besets its children. Kids of all ages go missing unexpectedly from an unknown menace, and the adults in the community don’t give half a damn, so a group of kids, rejects from their school and families, take it upon themselves to defeat this threat once and for all — but can they confront what they fear in the process?
To those who don’t know, the titular “It” is commonly shown in the form of the utterly terrifying Pennywise, the dancing clown — straight out of the pages of your deepest nightmares and masterfully portrayed by Bill Skarsgård (True Blood), this is a villain like no other, and easily ousts Tim Curry’s portrayal from the 1990 miniseries. True, while Skarsgård owes his character to Curry’s portrayal, the former plays him in a less wordy manner – he speaks with his actions more often than his voice, which is higher than Curry’s, giving him a persona akin to a child molester; quite apropos for the role. Further, the design for Pennywise is also strikingly different — gone is the Bozo knockoff of the 1990 version and instead is one akin to a Victorian court jester. Some would say that contradicts the resetting to the 1980’s; I think it only helps the nightmarish, otherworldly look of Pennywise — a child’s fears usually are of things before their time. Speaking of, also amazing are the child actors, most of them newcomers, all of whom are fantastic as the members of the Losers’ Club. What I found fascinating about their characters is that they each have something that they’re scarred by — Bill (Jaeden Lieberher) lost his brother to Pennywise and has a stammering problem; Ben (Jeremy Ray Taylor) is bullied for being overweight; Beverly (Sophia Lillis) is suspected as a child prostitute and under the control of a molester father, and so on — not one of these characters is innocent, but it only makes them stronger and deeper in their convictions, and they’re all played as human as possible, and that speaks volumes of their acting talents.
The film’s director, Andy Muschetti, famed for having directed the surprise 2013 horror hit Mama, has truly reinvented the crowded field of Stephen King adaptations, most of them beneath contempt. Unlike this year’s first King “adaptation,” The Dark Tower, Muschetti fought tooth and nail, with the aid of this film’s producers, to include more of the novel verbatim in this film. In spite of the loss of the famed “Ritual of Chüd” sequence, this movie still soars, and earned the admiration of Stephen King himself — such praise is very rare for obvious reasons.
It should be noted that the movie doesn’t end here. Those familiar with the novel and/or miniseries will know that the story has two parts to it, and this film is no different. At the end, though the opening title card reads “It,” we are shown the film’s full title before the end credits: “It: Chapter One.” A daring move, to be sure, and no sequel was greenlit at the time of completion, but judging by the Thursday numbers as of this writing, our heroes will rise again to destroy the proverbial “It,” once and for all. I, for one, can hardly wait for Chapter Two to release. Welcome to the Losers’ Club!